An open album on a sunlit table, its loose photographs of a family's summer spilling out of their corner mounts.

Memory, pressed · Vol. I

Summers you can hold.

An album you scroll through. The prints lift out of their mounts, the light moves across the table, and one photograph turns over.

Open the album

01 — Found

The affectionate archive.

Photographs that lean, corners that curl, warmth that stays.

Every print here was placed by hand, then left alone for thirty years. The sun found them anyway. That is not damage. That is the record of a room that was lived in.

02 — Place

By hand.

Nothing aligned to a grid. Everything aligned to feeling.

The tidy contact sheet comes apart into the page as it was actually made: a little crooked, taped where the mounts gave out, arranged by who was talking to whom.

03 — Kept

What was written on the back.

A photograph is only half the story. Turn it over.

The front is for everyone. The back is for the one person who will pick this up in forty years and need to know which lake, which week, and who burnt the corn.

Scroll to turn the print

Lake house, the last week of August. Dad burnt the corn. We stayed up until the stars came out and nobody said we had to go in.

— M.

DEVELOPED · 08 SEP 1994

How Keepsake is made

Three rules of the album.

RULE 01

Warm

A found-summer palette. The sun is allowed to fade things; we never colour-correct a memory.

RULE 02

Personal

Imperfect on purpose. A crooked print says a hand placed it, and hands are the whole point.

RULE 03

Tactile

Paper you can feel. Corner mounts, tape, the back of the print: every surface earns its place.

Keepsake

Keep the moment.

Start an album